Are your frightening scenes scary enough? Learn practical tricks to turn up the suspense. Make your readers' hearts hammer with suspense, their breaths quicken with excitement, and their skins tingle with goosebumps of delicious fright.
This book contains practical suggestions how to structure a scary scene, increase the suspense, make the climax more terrifying, make the reader feel the character's fear. It includes techniques for manipulating the readers' subconscious and creating powerful emotional effects.
Use this book to write a new scene, or to add tension and excitement to a draft.
You will learn tricks of the trade for "black moment" and "climax" scenes, describing monsters and villains, writing harrowing captivity sections and breathtaking escapes, as well as how to make sure that your hero doesn't come across as a wimp... and much more.
This book is recommended for writers of all genres, especially thriller, horror, paranormal romance and urban fantasy. It is aimed at advanced-level and professional authors and may not be suitable for beginners.
File Size: 292 KB
Print Length: 143 pages
Publisher: Scimitar Press (July 6, 2012)
Exerpt:
CONTENTS
Introduction
1. Flavours of Fear
2. Instant Hooks
3. What Lurks Behind That Door?
4. Dark and Dangerous
5. Sounds Build Suspense
6. Total Isolation
7. Strip to Tease
8. Keep the Clock Ticking
9. Feel the Fear
10. Pacing
11. Euphonics
12. Peaks and Troughs
13. Structuring a Scary Scene
14. Choosing the Location
15. Using the Senses
16. Cliffhangers
17. Villains and Monsters
18. Captivity
19. Chases and Escapes
20. Violence And Gore
21. Humour
22. Backloading
23. The Story's First and Final Scenes
24. Black Moment And Climax Scenes
25. Genres
26. The Wimp Effect
Sample Story: Druid Stones
Sample Story: Through The Tunnel
Sample Story: Only A Fool
Book Trailor:
My Review:
Who knew there could be so much information on how to create a scary scene? Apparently Rayne Hall does, and she spills it all in this writing guide.
Whether you are writing thrillers, mysteries, romance, or children's books, there is good information in here for you. Hall breaks down the different types of fear and goes into detail on how to achieve each emotion. She shares excellent information on the use of euphonics, senses, and sentence structure and how to temper your descriptions to match the genre you are writing for.
I had never heard of most of the issues she talks about, and I eagerly gobbled up every word. She clearly explains each concept and provides helpful examples. I can easily see how best selling writers utilize these tools to manipulate the emotions of their readers. It also made me rethink some of my own writing and wonder if I had unknowingly made one (or many) of the mistakes she points out.
I would recommend this book to anyone writing a novel, middle grade on up. The information in this book is mostly universal and can be applied to any writing style and genre.
* Side note: Hall writes in British English, so some of her spellings and vocabulary are slightly different than what you may be used to.
Guest Post:
WRITING CRAFT: CHASES AND ESCAPES
Does your novel-in-progress contain a scene
where the heroine escapes from danger, with the villain chasing after her?
Excellent. Readers love the these scenes.
Here are some techniques to make your
escape scene exciting.
1. Point of View
Stay in deep Point of View. If possible,
write the scene from the fleeing person's point of view. This means showing
only what this person sees, hears and feels. If the PoV character runs for her
life, she won't pause to watch her pursuer, so don't describe what the pursuer
looks like, or how the distance between gradually closes. However, you can
describe the sounds the pursuer makes: boots thudding on the asphalt, clanking
armour, yells, curses.
2. Pacing
Chases are fast-paced, so use fast-pace
writing techniques: short paragraphs, short sentences, short words. But if the
chase or escape spreads over more than a few paragraphs, try to vary the pace.
This will make it more exciting. When she runs fast, use very short sentences -
even sentence fragments - and mostly single-syllabic words. They create a sense
of breathlessness and fear. When she's hiding, when she's struggling to climb
up a facade inch by inch, when the pursuers have trapped her and when the
policeman handcuffs her, use medium-length sentences and words.
3. Reader Sympathy
The reader's sympathy always lies with the
fleeing person. You can increase this effect if several people are hounding the
refugee. Nothing stirs reader emotion more than a situation of many against
one. If possible, build tension by introducing the other pursuers gradually. At
first, she runs only from one foe. Just when she thinks she may get away, one
of the villain's henchmen comes from another alley. And then a third. In
addition, you can give the pursuer advantages over the refugee: physical
health, weapons, technology.
4. Danger from the Surroundings
Increase the tension by shifting the action
to increasingly dangerous ground. As your heroine flees from the evil villain,
she moves towards quicksand, a crumbling bridge, a cliff edge or a ravine. Now
she must decide rapidly which poses the greater danger – pursuer or location –
and take the risk.
5. Stumbling
When a person runs from danger, a cocktail
of chemicals gets released in the brain. It includes adrenalin and other
substances which dull pain and give stamina but also impair motor skills. Your
heroine's movements won't be as coordinated as they usually are, so she may
miss her footing, stumble or slip. This is all the more likely because in her
hurry, she won't examine the ground where she's treading.
6. Physical Symptoms
The running person is probably out of
breath, struggling to get enough oxygen. Her chest may feel like it's about to
burst. Her heart thuds loudly, not only in her chest but in her head. This
thudding continues even when she stops running, and while she's hiding, the
heartbeat in her head may be the loudest noise she hears.
7. Put up a Fight
When the pursuer catches up with her, she
puts up a fight. She does not need to win, but readers will respect her if she
manages to inflict some hurt on him before he overpowers her. This is better
than if she surrenders meekly, or if she faints and comes to again in the
dungeon.
Questions?
If you're a writer and planning or revising
a scene in which your protagonist flees from danger and want to discuss your
ideas, please leave a comment. I'll be around for a week and will respond. I
love answering questions.
To Buy:
Kobo: http://www.kobobooks.com/ebook/Writing-Scary-Scenes/book-r47obySnr0uGXL9C8OTcLA/page1.html?s=kXLWOl4EN0CJJOcLRi3feA&r=1
Amazon com: http://www.amazon.com/Writing-Scary-Scenes-ebook/dp/B008IEJTSE
Amazon.co.uk: http://www.amazon.co.uk/Writing-Scary-Scenes-ebook/dp/B008IEJTSE/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1355789422&sr=1-1
Barnes&Noble: http://www.barnesandnoble.com/w/writing-scary-scenes-rayne-hall/1112219888
iTunes: https://itunes.apple.com/us/book/writing-scary-scenes/id546105761?mt=11
Smashwords: https://www.smashwords.com/books/view/179899
| About the Author:
No comments:
Post a Comment